Born in Spain, Chus Martínez has a background in philosophy and art history. Currently, Chus Martínez is the Head of the Institute of Art of the FHNW Academy of Arts and Design in Basel, Switzerland. From 2018 till 2020, she will be the expedition leader of The Current, a project initiated by the TBA21 Academy.
She has been the Chief Curator at El Museo Del Barrio, New York. She was the Head of Department of dOCUMENTA (2013) and a member of Core Agent Group. Previously, she was Chief Curator at MACBA, Barcelona (2008-11), Director of the Frankfurter Kunstverein (2005-08) and Artistic Director of Sala Rekalde, Bilbao (2002–05). For the 56th Biennale di Venezia (2015), Martínez curated the National Pavilion of Catalonia with a solo project by filmmaker Albert Serra, and for the 51st edition the Cyprus National Pavilion (2005). In 2014-15, she served as the curatorial “alliance“ for the current edition of the Istanbul Biennial (2015); in 2008, she served as a Curatorial Advisor for the Carnegie International; and in 2010 for the 29th Bienal de São Paulo. During her tenure as Director of the Frankfurter Kunstverein, she curated solo exhibitions of Wilhelm Sasnal among others and a series of group exhibitions including Pensée Sauvage and The Great Game To Come. She was also the founder of the Deutsche Börse Residency Program for international artists, art writers and curators. While at MACBA, Martínez curated the Thomas Bayrle retrospective, an Otolith Group monographic show, and an exhibition devoted to television, Are you ready for TV? In 2008, Martínez was the curator of the Deimantas Narkevicius retrospective exhibition, The Unanimous Life at the Museo de Arte Reina Sofia, Madrid, which traveled to major European museums. Among her recent projects are the exhibitions The Metabolic Age in September 2015-February 2016 at Malba in Buenos Aires and Undisturbed Solitude with Flora Klein, Emil Michael Klein, Tiphanie Mall and Johannes Willi at Kunstler Haus Hamburg from February to April 2016.
At the Art Institute in Basel she initiated a series of specially commissioned work for der TANK, the Institute’s exhibition space. So far, the following projects have been produced: In Revolution, a painting and video installation by Mathilde Rosier (June 2016); The Organ, a sculpture installation by Julieta Aranda (November 2016); The Inner Ocean, a large scale-performance by Ingela Ihrmann (June 2017); and another large scale drawing installation by Eduardo Navarro (November 2017).
Chus Martínez lectures and writes regularly, including numerous catalogue texts and critical essays, and is a regular contributor to Artforum among other international journals.
Independently of her commitment at the Basel Art Institute, in 2016 she curated a one-year installment of the Helga de Alvear Collection, Idiosincracy, and Anchovies Dream of an Olive Mausoleum at the Helga de Alvear Foundation in Caceres, Spain. In October 2017, under the title Le Fin de Babylone, she presented the 9th edition of the Sculpture Park in Cologne, where a series of newly commissioned works will remain until 2019.